June 2024 – The Incomparable Karen Basset 

The Incomparable Karen Basset

Interview By: Ginger Coyote

You probably best remember  Karen best from playing with The Pandoras  However, she is a multi-talented woman playing almost every instrument she has her own studio and played on several film compositions. She even played with Sharon Needles in a couple AC/DC cover bands where Karen played bass.

Please enjoy my interview with Karen.

Punk Globe: Tell us about your background. Where were you born?

Karen: I’m a southern California native, born in Woodland Hills, Ca where I grew up. I’ve lived in Laurel Canyon since 1992 and love it here. I was a total tomboy growing up! Still am. Riding bikes, skateboarding, climbing trees, playing the drums, riding motorcycles, surfing. I wanted to be a professional surfer, but I lacked the necessary work ethic. I competed up and down the west coast of the United States. When I started surfing, there weren’t a lot of girls out in the water. Same thing with drumming, there weren’t a lot of female drummers. I’m happy to see so many women enjoying these activities now! I must thank my parents for facilitating all these activities for me. Driving me to the beach before I could drive, taking me to surfing competitions, putting up with me practicing my drums after school.  They also loaned us money so The Pandoras could fly to New York when Nina Hagen invited us to open for her at the Beacon Theater back in the 80s. That show led to Rhino Records taking an interest in our band and we were eventually signed to their label. Thanks, Jack and Iris!

Punk Globe: So, I guess you were in the second generation of The Pandora’s not with Paula and Nipper. Tell us who was us who played what in The Pandora’s when you were active.

 Karen:I joined the band right after the Vox album, It’s About Time, was released in 1984.  Paula wanted to start fresh with a new band and fired the lineup on that album. Some were fired and some quit. Paula was the only one left from that line up and I had just parted ways with my first band. I got Paula’s number from the bass player in my band, she said Paula was looking for musicians, so I called Paula. We met at her apartment in Hollywood and she gave me a copy of the vox album and also made me a mix tape of her influences for me to listen to. I had been playing guitar in the band I was in and had not played drums since injuring my shoulder surfing in high school. Paula asked if I’d give the drums a try to see how I felt, as she was the band’s guitar player, so I went home and started playing along to the record. I was already familiar with some of the band’s music from hearing them on Rodney’s show on KROQ, which was a local radio station in Los Angeles that featured lots of independent music, but especially Rodney’s show, as he featured a lot of independent and unknown artists from LA but also from around the world. I had also seen The Pandoras play at a local club with the previous line up and really enjoyed their sound and image. I believe it was at a place called the ON Klub. There were a lot of people dressed in 60s clothes, guys with long bowl cuts, peg leg pants and beatle boots and the girls wore mini skirts, go go boots and had a variety of 60s hair styles. It was like a scene from a B movie from the 60s. That was quite a scene! Well, my shoulder seemed to be ok, so off I went to audition.

I auditioned in a garage out in Whittier. It was Paula and Julie, the bass player. We played a bunch of songs together and Paula asked me to join the band. I said, sure! We had a few rehearsals and then Paula brought in Melanie to audition on keyboards. This lineup went right into the studio and we recorded the Vox Single, You Don’t Satisfy/Hot Generation.
We recorded some more songs for a few compilations with that line up. We also did a short east coast tour, in a panel van, with no seats except for the front 2 seats. We slept on peoples’ floors! It was pretty rough, but we were young and it was all very exciting and exhausting at the same time. Kim joined and replaced Julie and we got signed to Rhino records and recorded Stop Pretending. We toured the US and Canada and really started building a following! Elektra records sent their A&R guy out, unbeknownst to us, to check us out while we were on tour. We were signed to Elektra records shortly after returning home from tour. We recorded our album  but it got shelved when our A&R guy was fired and his roster of bands were dropped. The band started to take on a new direction under the influence of the A&R guy. It was more rock, and less 60s. The whole thing just became something different than it had been and it wasn’t something I needed to be a part of anymore. I wasn’t on board with the new direction. We parted ways. 

Punk Globe: Who were your musical inspirations growing up? 

Karen: Growing up I’d say, The Beach Boys, ABBA, Blondie, The B-52s, The Ventures and instrumental surf music, anything on top 40 radio, and later, Duran Duran, The Cure, The Go-Go’s, The Bangles, Adam Ant, The Police and most pop and new wave music from the 80s. I never really got into classic rock until recently. 

Punk Globe: Who are you currently listening to?

Karen:  Right now, I’m learning a bunch of Hole songs for a tribute band. I tend to listen mostly to music I’m learning for current band projects. But current bands I enjoy are Maneskin, Wet Leg, Uni boys, The Lemon Twigs, Miley Cyrus, Van Halen (I was late to the party for them), ACDC partly because I sub for some tribute bands. 

Punk Globe: You are very multi-talented. You play a wide variety of musical instruments. Were you from a musical family?

Karen: I don’t know how musical my family was, but my dad played violin occasionally, usually at family gatherings and we had a piano in our living room and I played it since I was in diapers. When I was around 5, my parents got me a piano teacher. So I learned to read music. I enjoyed just noodling mostly rather than practicing to a book, so the lessons only lasted so long. My oldest sister was much better at playing the piano and reading music than myself. So, yeah, we had music in the house.  In elementary school, they offered music classes, so everyone got a recorder and a book and I learned to play the recorder in maybe 2nd grade. Once I got to a certain point on the recorder, we could take clarinet lessons, so we rented a clarinet and I took private lessons with a friend’s grandfather. Once I got into junior high, I joined the orchestra. Some of my bandmates in the orchestra became Fishbone! Angelo, Walter, and Christopher. Anyway, I played various instruments; trumpet, french horn, and baritone before a space opened up in the drum section, which was what I really wanted. I got my first drum set when I was 12. A red sparkle Ludwig. I played drums in the concert band and took private lessons as well. I started a couple of bands in junior high but it was just fellow orchestra members jamming songs from the radio in my living room. It never went anywhere and I decided that I should look for an existing band instead of starting my own. In high school, I continued studying music. I played snare drum in the marching band and that whole experience took my playing to another level! I also started learning to play the violin and saxophone, just for fun. After injuring my shoulder surfing, it was painful to play the drums, so I switched to guitar. I got a Gibson SG and a Fender Twin Reverb and took private lessons. It was not long after picking up the guitar that I joined a band, as lead guitar, but I was….terrible!! LOL! But there’s nothing like joining a band to light a fire under your feet to get you up to speed. I was in high school and we were gigging all over the LA area. I was too young to get into clubs so I’d have to stay outside until we played and then pack up and leave right away after our set. That band found a much better guitar player than myself and we parted ways and that’s when I got Paula’s number and called her. 

Punk Globe: As I told you I liked Kim she had one of the best voices ever. Both she and Bianca from Betty Blowtorch left us way too soon.   By looking at your Facebook page it looks like you and Melanie are still close pals. We have interviewed Melanie in the past. I am so happy Nhell suggested contacting you. You played in a band with Sharon Needles from Betty Blowtorch Tell us about that.  

Karen: Melanie and I are still playing together and still playing The Pandoras’ music, as The Tigerellas along with Sheri Kaplan on drums who replaced me in The Pandoras around 1987, and Natalie Grace Sweet on bass. I play guitar and sing and Melanie plays guitar too. We’re family. I also play bass as a sub for a couple of all-girl ACDC bands and that’s how I met and played with Sharon Needles, she was subbing on guitar and I was on bass for a gig in New Mexico with Whole Lotta Rosies. We had a great time! She’s awesome. Sheri also drums in that band. Yes, Kim was a total badass singer, songwriter, guitar player, bass player and just a great person! Great bandleader too when we rebooted The Pandoras and did a bunch of gigs and even toured in Europe for a couple of weeks back around 2017 I believe?

Punk Globe: What did you do after you parted ways with The Pandora’s? You played guitar in The Rebel Pebbles and bass with Wednesday Week. Was that after the Pandoras? 

Karen: I played bass with Wednesday week for maybe, a year or less? We did a bunch of gigs around LA and I was still in The Pandoras at the time. Paula didn’t like that I was in another band which, at the time, you were in ONE band, those were the rules, but today, people are in several bands and it’s no big deal. I joined The Rebel Pebbles immediately after leaving The Pandoras. I played guitar, wrote songs, we were signed to IRS Records/EMI and put out a record, and even had a song almost break the top 40 charts! It was pretty exciting. We toured all over the US, Canada, and Europe. We even lived in London for several months at Miles Copeland’s house. We were recording over there with Jools Holland, doing radio and TV promotion, some gigs, and enjoying London. We stumbled across a cassette tape at Miles’ house, of Sting’s demos for his solo album. We drank tea, there was a car service to take us wherever, and there were housekeepers, it was a pretty neat experience. AND the house was haunted. I have stories and so does the housekeeper as well as some other musicians who have also stayed at the house. 

At Studio 606 recording with The Wrong Dots.

Punk Globe: Did you also play with Robbie Rist? I read something about Cousin Oliver. 

Karen: Oh yeah, Robbie is like a brother to me. He actually came to a recording session The Rebel Pebbles had in the valley. He just showed up! It was fun to see him there. We were a bit star-struck! It’s Cousin Oliver from The Brady Bunch!
That was in the late 80s though. Much later, when Facebook started, I sent him a friend request and he accepted, we talked, became friends online and had tons of mutual friends. When we rebooted The Rebel Pebbles in the 2000s, I booked a show in Silverlake and asked Robbie’s band, Nice Guy Eddie, to play with us. After the show, he asked me if I’d be interested in joining a project he was about to start, with him on bass and myself on guitar. We named it, The Wrong Dots. And the rest is history! We played a lot of fun gigs together, as well as doing a regular stint out in Moorpark playing songs from the 70s and having musicians come up and sing, or play or whatever. Robbie started KTEL night in the valley, just him and his acoustic guitar and then it moved out to Moorpark, and a band sort of just happened. I started playing drums again at the KTEL jam to get my chops back and ended up drumming in Robbie’s band. Then John Borack, a mutual friend and drummer, asked us to start a new band. We called ourselves, The Test Pressings. John on drums, myself on bass and vocals, and Robbie on Guitar and vocals. Power trio! We played mostly power pop songs. Then there was Cousin Oliver’s Cavalcade of Hits! Robbie on guitar and vocals, myself on bass, Don Frankel on keys, banjo, guitar, Rolly DeVore on drums, and Lela Vickery on keys. Robbie has since moved to Florida. We still collaborate online though and keep in touch.

Here’s our press kit for Cousin Oliver band

Our cover of Timothy with hints of cannibalism

Punk Globe: Are you still active with The Tigerellas? I saw you a couple of times. Great fun. 

Karen: The Tigerellas are going strong! We have gigs coming up with The Flamin’ Groovies at Zebulon in July, and some shows in Northern California on July 20th in Alameda at Faction Brewing (flea market), and some shows in September. Lots going on! We plan to do some recording too. We play a bunch of Pandoras’ songs and some covers. It’s a super fun band!

Punk Globe: It also appears that you are involved in the technical side of recording as a producer and such. Did you run a studio at one point?

Karen:  I’ve had a studio of some kind, since I was a teenager. I took over my sister’s room at home when she left for college and made it into my music studio. I’ve been building on that ever since. I had an audio post production facility that I built on Beverly Blvd. around 1998 and ran that for about 8 years. I mostly recorded narration for TV, sound effects, scoring music for TV and some independent films and mixing for TV.  When the building sold, I brought my studio home and have been working from home since. I’ve recorded full albums for people, books on tape, done some sound effects editing, foley and over the pandemic, enrolled in an online production community, Produce Like a Pro with Warren Huart and really learned how to mix and produce music. I really enjoy mixing and sweetening. I’ll add keys, percussion, background vocals to existing songs and mix. Whatever is needed. I just played and recorded drum tracks for a client recently. 

Punk Globe: From your Facebook, it appears you are now involved with film. Do tell us more?

Karen: I haven’t done much film lately, but as I mentioned, I’ve scored music for independent films as well as scored TV themes and background music for documentaries and a variety of other projects. I studied film scoring at UCLA in the 90s. That was my direction at the time and I did end up doing work in that field, but I actually really enjoy engineering other people’s music.
In the mid-90s, I got a job as a sound effects editor working with Frank Serafine in Venice. I worked on the TV show called Thunder in Paradise. One of my main gigs before I became a mother was as a sound recordist for TV. We traveled a lot and visited the sets of movies and interviewed the actors, directors, special FX people, etc. Those were very long hours and it’s a physically demanding job too but it was also a lot of fun and could be exciting at times.

Punk Globe: Tell us some of the film projects you have been involved with. 

Karen: While at UCLA in the mid-90s studying film scoring, I was asked to score an independent film called The Magazine. It was my first film. I scored music for a UFO documentary called, The Secret, and an independent film called Time Out for Bravo 7. Recorded director narration for special features on DVD releases, and did mixes and voice-overs for Showtime projects.  Scored various versions of a TV theme for a French TV show called Hollywood 26 as well as all the music they used for transitions and other segments of the show. My film-scoring career was fairly short after UCLA. I did a lot in a relatively short amount of time.  Then I got busy with my audio post production more than music scoring gigs so that sort of took over. I became a mom in 1998 and then balancing being a first time mom and keeping my studio going. I managed. https://youtu.be/367g-SgkJTM?si=76I128BZAz-9OphB

Punk Globe: Do you have any Internet addresses you would like to share so the readers can keep up to date with you?

Karen:   I don’t have a website and I”m not really good at the whole social media thing, but I’m on facebook and can be contacted there. I rely mostly on word of mouth for recording, mixing and producing gigs.

 I do have a youtube channel that is mostly covers I’ve done just for fun! https://www.youtube.com/channel/UCWe1IyFTxoDPDnA1YL3q63A

Here’s a link to a band I recorded and mixed at my studio. Leslie Pereira and the Lazy Heroes
https://bigstirrecords.b andcamp.com/album/good-karma

The Walker Brigade recorded a couple of songs off their album at my studio. Some of which were submitted to the Grammys and made it on the first ballot. https://bigstirrecords.bandcamp.com/album/if-only

I’m currently working again with Johnny Angel Wendell on more songs.
I played drums, keys, backing vocals and mixed  Do the Otter
https://johnnyangelwendell.bandcamp.com/track/do-the-otter

I mixed and sang harmonies for The Glimmer Stars on their song Sunday
https://rumbarrecords.bandcamp.com/track/sunday

The Test Pressings for a 70s compilation I played bass, sang some and mixed.
https://youtu.be/RyxOvkwg0GU?si=_lfPcLVod3U4xXIq

The Test Pressings Why by Andy Gibb (mixed)
https://currycuts.bandcamp.com/track/why

The Test Pressings The Love Boat Theme (bass and vocals)
https://currycuts.bandcamp.com/track/the-love-boat-theme

And, probably the work I’m most proud of, that means the most to me, was when Kim Shattuck asked me to engineer her last Muffs album, when she was no longer able to use her hands due to ALS.
I engineered the overdubs at her house as well as sang backing vocals on a few songs and did some percussion. I ran a set of headphones out to her in the living room so she could hear the music and used Apple TV to broadcast the computer screen to the living room TV so she could see the pro tools session. She communicated to me/us over Viber, using her eyes to type on her Tobi screen. I set up a talkback mic so I could talk to her and she would message me back. She had such an amazing work ethic and was willing to work all day! We worked for several months this way, until all the overdubs and edits were finished. People would come in for their guest performances and I’d set up mics or a DI or whatever and we’d get to work. We figured out how to make it happen, and it did. I was so honored that she asked me to engineer. It was a great way for me to spend time with her too. We spent months working long hours to get things done and she never lost her sense of humor. After all the recordings were finished, Kim and I edited everything so it was cleaned up and ready for mixing. https://omnivorerecordings.com/shop/no-holiday/

Punk Globe: What is in store for the future with Karen Basset? 

Karen: More music production, mixing, recording, learning (I love learning about the recording process!) and perhaps some music scoring once I get my groove back for that set of skills. I’m always playing a gig here or there, with this band and that band, so I just want to keep playing in bands. It’s fun! There’s no money in it, but it makes me happy to play music. I’m hoping to get back to surfing too. I miss it.

Punk Globe: Describe yourself in just three words.

Karen:  Leave only footprints.

Punk Globe: You are married and are a mom do you care to talk about that?

Karen: Sure! Happily married to my husband, Laurent who I met back in the 80s when I was in The Pandoras. Married since 1992. We have 2 boys who are 23 and 26. They all three work in the entertainment industry and they make me a very proud mom and wife.

Punk Globe: Any Final words for Punk Globe readers

Karen: Thank you for asking me to tell my story. I’m honoured.

Punk Globe: Thank you for sharing your fabulous story. It Is very interesting and so fun.