July 2024 – Introducing  Author torrin a. greathouse  

Introducing Author torri a. greathouse

Article By: Stephanie Prieto

torrin a. greathouse is a transgender cripple-punk poet and essayist.  She does not cap her name. Their debut collection Wound from the Mouth of a Wound (2020), was the winner of the 2022 Kate Tufts Discovery Award. She teaches at the Rainier Writing Workshop, the low-residency MFA program at Pacific Lutheran University. We at Punk Globe applaud torrin for her wonderful work

torrin a. greathouse is in language’s thrall. She knows a word turns flesh into egress, renders anatomy anomaly, and buries girls like her in ravenous appetites. To read her stunning DEED is to learn hunger’s grammar and be changed.”

—Douglas Kearney, author of Sho

“At last! In DEED, torrin a. greathouse has forged a new record—blistering & radiant—of a seemingly audacious contemporary conceit: the trans-crip body on its own terms. These poems are resolute in their agency, urgent with desire, & fashioned with greathouse’s signature skill for calling up & in a hostile lineage that does not always deserve her lyric ingenuity. This is the book I have been waiting for. ‘Crooked prayer’ indeed. Amen.”

—Meg Day, author of Last Psalm at Sea Level

DEED, the follow-up to torrin a. greathouse’s 2022 Kate Tufts Discovery Award-winning debut, Wound from the Mouth of a Wound, is a formally and lyrically innovative exploration of queer sex and desire, and what it can cost. Sprawling across art, eros, survival, myth, etymology, and musical touchstones from Bruce Springsteen to Against Me!, this new book both subverts and pays homage to the poetic canon, examining an artistic lineage that doesn’t always love trans or disabled people back. Written in a broad 

range of received and invented forms—from caudate sonnets and the sestina to acrostics and the burning haibun—DEED indicts violent systems of carceral, medical, and legal power which disrupt queer and disabled love and solidarity, as well as the potentially vicarious manner in which audiences consume art. This collection is a poetic triptych centered on the question of how, despite all these complications, to write an honest poem about desire. At its core, DEED is a reminder of how tenderness can be made a shield, a weapon, or a kind of faith, depending on the mouth that holds it.