April 2024 – Actor Musician, and Political Activist Micheal Goodrow

Actor Musician, and Political Activist Micheal Goodrow

Interview By: Ginger Coyote

I met Micheal after mistaking him for Jason Goodrow. We became friendly and I really do enjoy all his Anti orange blob posts on Facebook so  I decided to interview him

Micheal and Mack Phillips in Desert Hot Springs

Punk Globe: I remember when we first made contact I thought you were Gary Goodrow’s son Jason. We knew one another from our old stomping grounds The Mabuhay Gardens. Do you remember that?

M.G.: As far as I knew at the time, Gary was a distant relative. I met him at the Troubadour back in the 1980’s. 

Punk Globe: You then informed me that you were the Foreman on my dear friend Pauley Perrette’s court case.

M.G: Yes, I was.In 2008, I had been selected for jury duty and was surprised that the plaintiff was Ms. Perrette. The case was against her ex-husband. I was aware she was an actress but didn’t watch her show. I won’t get into the details of the case, but suffice it to say that he had been harassing, and stalking her, and was bad news. As foreman of the jury, I finally convinced a few stubborn jurors to find him guilty of harassing Ms. Perrette. It was plainly evident he was guilty.  I think every citizen should do jury duty. I would love to be on one of Trumps trials.

Punk Globe : You then let me know about your role on ‘One Day At A Time’ with my pals Valerie and Mackenzie. Tell us how that came about.

M.G: In 1974, I was cast in a show called Apple’s Way. It was created by Earl Hamner Jr., who had previously created The Waltons. It starred Ronny Cox, Malcolm Atterbury, Vince Van Patten, and Kristy McNichol, amongst others. It was my first SAG union job at Warner Bros. This particular episode was written by Joe Bonaduce, Danny (The Partridge Family) Bonaduce’s father. During the (FIRST) rehearsals, I met this very young girl named Valerie Bertinelli. She was just 15 and this was her first TV role, too. She had to have a guardian on set, so her mother Nancy accompanied her. We all chatted quite a bit and became acquainted. In 1976, my agent sent me to audition for a role in ODAAT. The casting director liked my reading and sent me over to meet the writers, producers, and the director. As I entered the room, I recognized Joe Bonaduce. I nodded hello to him. I gave a good reading and left. A day or two later, my agent called me and told me to go back to the studio on Monday. I asked if I had the role. She said, “Just go”. I knew they were having a hard time filling the role so I didn’t know what to expect. I showed up the following Monday still not knowing if I got the part and I was immediately given a script, and taken upstairs to a rehearsal room. Upon entering, I was a bit taken aback when I was suddenly in the presence of the entire ODAAT cast. Seeing Valerie, I said hello, but she appeared sort of aloof from the success she had achieved. Later, I would tell her, “The first time we worked together, you were a glorified extra and I was the guest star. You may be the star of this show, but I’m still the guest star”.  After that, she lightened up. I think she appreciated my honesty and humor.  We started rehearsing the scenes and at the end of the day, the director asked to see me in his office. The director, Herb Kenwith,

one time, had been Mae West’s manager, propositioned me, implying that if I wanted the part I would have to be sexually intimate with him. I refused and left his office, figuring I wouldn’t return. The casting couch works on all sides of the street in Hollywood. Later that same day, my agent called again and told me to go back to the studio the next day. I asked her again if I had the part. She said, “Just go!”  I returned and rehearsed that Tuesday, but now the director wasn’t giving me any direction. He was completely ignoring me. This would continue all week. I asked Pat Harrington, who played the building superintendent, Schneider, if he would watch me and ,give me any pointers, as the director was pouting, Pat told me, “You’re doin’ great, kid”. 

On Friday, we taped before a live audience. The whole week, no one ever told me I had the part. I always had this strange feeling that they were going to tap me on the shoulder one day and say “Thanks. We found the right actor for the part.” Mackenzie and I had hit it off and Mack invited me over to her house to party. Back then, we were all doing too much of everything. She had two cousins who worked on the show as extras, Patti and Nancy. Patti lived with Mack, whose Aunt Rosie was Patti’s mom. Rosie was Mack’s guardian. Patti and I hooked up and were together for a few months until she decided to get back together with her old boyfriend. I was a struggling actor and had very little to offer her in terms of stability and security. A few months later, they married .  Mack and I stopped having contact after that. We were all just so heartbroken and I’m sure I was a reminder of that chapter in their lives. Decades later, we reconnected on FB.  She’s been to hell and back and is a force of nature.  I have so much admiration for her.

Micheal and Valerie Bertinelli on the set of ‘One Day At A Time’

Punk Globe: Did you enjoy working for the wonderful Norman Lear?

M.G.: I did, but I never had the pleasure of meeting him. He was an executive producer for his numerous TV shows but didn’t appear at our rehearsals. His production staff handled all the duties. I’m very proud I got to work on one of his shows. Quite a very stellar career he had, and he truly deserves all the accolades he has received.

Punk Globe: Tell us how you got into acting.

M.G.: I started acting when I was nine. My parents bought a nursery school in 1959 in Los Angeles. There were two buildings and we lived in one and ran the school out of the other. After a few years, my parents bought our first house in Culver City One day, I walked to the nearby park and went into the gym. There was a flier on the bulletin board saying they were having auditions for Jack and the Beanstalk. I got the role of Jack. The play won a citywide drama festival award and we got to perform the play at the Pilgrimage Theater (which later became the John Anson Ford Amphitheater) across from the Hollywood Bowl. My sister Robin and I started to entertain kids at my parents’ preschool and also at birthday parties. Robin performed with puppets, and I played guitar and led a sing-along. I was also more involved in local community theater. I did quite a few plays and musicals in high school and was in the National Forensic Society competitions, a national tournament that includes acting and public speaking and I won many awards.

Based on those positive experiences, I decided to pursue acting as a career. I enrolled at Los Angeles City College in their outstanding Theater Arts Academy and spent three years there from 1971-74. In 1974, I got an agent, started going out on interviews, and finally landed my first role at Warner Brothers in Lorimar Productions APPLES WAY, and off to the races I did go.

Punk Globe:  You appeared on ‘EIGHT IS ENOUGH’. How did that come about?

M.G.: My agent called me and told me I had an audition at MGM (briefly owned by Lorimar at that time) for the show. They were looking for a fat teenager to play Willie Aames’s best friend. I was very skinny, so I ran home and (PUT ON) a few sweatshirts to bulk up, went over to the studio and read for the writers, producer, and director. They liked my reading and booked me right away.

Punk Globe: You were a recurring character on the show. Tell the readers about your character on the show.

M.G: After being cast as Ernie Field, I spoke with the writers, who were around my age (I was 25 playing A 17-year-old), about what they envisioned the character to be. They told me they hadn’t had much luck with other actors opposite Willie – there was no chemistry. I told them my opinion. This character needed to be edgy, a troublemaker, a jerk, and a punk of sorts to play off the “goody two shoes” role that Willie was stuck with playing Tommy Bradford.  They considered this as they rewrote the script. They also made it clear the success or failure of my first episode would be a test to see if I would continue on the show. Talk about pressure.  But Willie and I hit it off really well so I continued. In the second episode, there was a scene where Tommy and Ernie were rehearsing with their cover band in the Bradford garage. We were all dressed like punks. I guess they had noticed I could play keyboards by reading my resume, but when I showed up to set, and they didn’t have an electric piano, I had to run home and use my own Wurlitzer in the episode. Saved their asses. By my seventh episode, I was starring in my storyline and was all but adopted into the family.  In that episode, my character Ernie had become an alcoholic. I guess I played it so realistically, that the National Council on Alcoholism and Drug Abuse asked Lorimar if they could show it to teens in schools as a learning tool. I was honored. I did fourteen episodes out of twenty-four in the fourth season. So, Willie and my character were now out of high school, and the producers were afraid they were going to lose the teenage demographic. To try and keep the teen audience, in the fifth season they brought in Ralph Macchio to play Betty Buckley’s teenage orphaned nephew, and the declining ratings after that killed the show. I did two episodes for the final season. So Eight wasn’t Enough, and then enough was enough.

Punk Globe: Any other acting gigs we would remember you by?

M.G.: I was doing TV in the 1970’s – Baretta, Centennial, Future Cop, James at 16, Lou Grant, Cheers, and others. I also did voiceovers and other commercial work.  I starred in a B movie called Sweater Girls, and played some cameo roles in Smokey and the Bandit, The Kid with the 200 I.Q, and The First Nudie Musical, in which I also co-musically directed and played keyboards on the soundtrack. 

M.G: I purchased a Farfisa Mini-Compact and a Vox Kensington bass amp at the original Guitar Center on Sunset Blvd. – the Beatles, Beach Boys, and so many others were rocking it, and the LA music scene was exploding. I started playing in bands and doing gigs at private parties and school dances through junior high school. By high school, I had enlisted the best musicians to play with me in a band I formed called Master Skylark. We now had a sponsor, Betty’s Music in Marina del Rey, so I took advantage and updated my rig.  So, back to Guitar Center to buy a brand new Farfisa Professional (I Saw Sly and the Family Stone at Fillmore West and had to have one) and WENT to the Leslie factory in Pasadena, CA to buy a Leslie 147RV for the cost! We opened for a few name acts and played at Gazzarri’s on the Sunset Strip. We were four underage teenagers playing originals and Frank Zappa, and other challenging covers.

The crowd loved us, but management said they wouldn’t hire us back because the patrons were standing agape, watching us play a 13-minute (13-MINUTE) version of King Kong, or Call Any Vegetable. The owners wanted them to be dancing and sweating so they would buy more drinks.

After graduating, we split up and we all went off to college Over the years, I’ve played in many bands. My musical abilities came in handy in theater, too.  Rather than take up your readers’ time and go into detail, if anyone is interested in what I’ve done musically, and who I’ve played with, they can go to my websites below. As far as my acting career goes, after realizing I was falling into the donut hole of being “too old for the young roles I’d been playing, and too young for the old roles”, I decided to leave acting around the age of 30, after having major surgery to correct a birth I’m defect – a malformed upper palate and elongated TMJ, made it difficult to say certain syllables. When I was young, my parents sent me to a Beverly Hills dentist who mutilated me by not analyzing my facial structure correctly. I had an open bite – my teeth didn’t touch in the front due to the defect, so I was a mouth breather and tongue thruster, and my lips wouldn’t touch without me straining my facial muscles. The dentist tried retainers, and later, braces. He pulled all my teeth together with those tiny rubber bands, but when he took them off, the front teeth all returned to where they started, because he was treating the symptoms, and not the cause – which was my abnormal structure. Once I started pulling my teeth so far, my roots and gums were going to recede, and I was going to lose my teeth prematurely. After the surgery, I did a 180. I couldn’t even understand why I ever wanted to be an actor. I realized the price I had to pay and lost my interest and my purpose. I would return to the stage and TV, sporadically, over the last few years.

Sweater Girls promotion shot - Lake Piru, CA circa 1976. That's Charlene Tilton in the center. Her first part.

Punk Globe: You also started working behind the camera. What did you do?

M.G.: In 1989, at the age of 36, I decided to go back to college and finish my degree in Theater Arts at UCLA.  I needed a night job so I could go to class during the day. My best friend was working at a post house in Hollywood called Modern Videofilm, and said I should apply to work in the vault where I could do my homework and study. The swing shift wasn’t as busy as the day shift. So here I was, surrounded by recent high school grads, with the shittiest job in Hollywood, reinventing myself. I was thinking of pursuing a teaching credential after graduating, but had now moved into the Quality Control Department as a QC technician, and was making more money than teaching would have ever paid So, I stuck with it and worked in the industry for 20 years. I’m proud to say I worked on the digital restorations of Gone with the Wind, The Wizard of Oz, all the Harry Potter Films, all the Lord of the Rings, all the Godfathers, and many, many others. I ended my post-production career at Warner Brothers MPI, 100 feet from the sound stage where I had my first professional acting role, 35 years earlier. Kind of surreal!

Punk Globe: Your political posts converted me into being your fan. I agree with you. We must not repeat the 2016 Election. What a huge mistake that was.

M.G.: There has never been a more existential threat to our democracy than DJT.

We all must gird our collective loins for what is to come before and after the election.

He will grow more and more unhinged as he becomes more and more desperate. 

He is beyond being a national embarrassment and should be in jail for insurrection, and his many other crimes.

Period.

Punk Globe: We both share an admiration for Lawrence O’Donnell, Rachel Maddow, Alex Wagner, and the crew at MSNBC.

M.G.: Yes. There are some in the media who are taking the fight to Trump and exposing him for the fraud he is, and always has been. Fox “News” should be sued again and again until they go bankrupt for all the lies they continue to tell.

Punk Globe: Do you have any Internet Addresses you would like to share with the readers to stay in contact with you?

M.G.:  michealgoodrow.com amazingthealbum.com goodrowproductions.com 

and they can also find me on Facebook.

Punk Globe: Describe yourself in three words Micheal.

M.G.: Bipolar Zen Maniac

Punk Globe: Any last words for the readers?

M.G. Get out there and vote Blue